By Justin on November 3rd, 2009, 9:30 pm 1 Comments
Project 4: Web Interventions
This project will require you to propose and execute an intervention into a digital space such as FaceBook, Twitter, Blogger, Flickr, Delicious, Firefox extensions, etc. The project can be a performance, ongoing intervention, or documentation of your project in action.
Due: November 30 / This project is worth 15% of your final grade.
Your mark for this project will be broken down into the following components:
Technical Proficiency: 20
Conceptual Engagement: 40
Critique: 20
Aesthetics: 20
Other notes: If you get your project featured on the front page of Wooster Collective, Rhizome, YouTube, Good, Networked_Performance, We-Make-Money-Not-Art, or PSFK you will receive at least a mark of A on this assignment. Also, if you build a Firefox plugin or create any other software that ties into the API of any of the social networking tools listed above and somehow critiques it or re-presents its contents in an novel way, you will also receive a mark of at least an A. This is, however, not to say that projects that do something other than either of those things will not receive an A.
*** As a note, the above posted idea of a good grade automatically being given to your project for being featured on a number of high-profile blogs was taken up as a topic of discussion on Twitter, where some really valid concerns were raised, which subsequently made me a bit nervous about the reading of this outside of the context of the class itself. My thinking behind this, originally, was that if your project was featured on one of those sites, that it would be an indicator of sorts of the successes or insights that your project achieved in a real-world context, and certainly I would like to hope that you are creating work that could potentially exist beyond the classroom. Of course, and as always, every project you hand in will be stringently evaluated and graded accordingly, regardless of where the project itself might be seen outside of the class. This idea was only meant to be a motivating factor and a way to introduce you to some other great content. My apologies for any confusion.
By Justin on November 3rd, 2009, 1:18 pm 2 Comments
Using any digital tool of your choice, create a series of 3 infographics articulating your concerns (real or invented) about the University, the environment, and the economy (1 of each).
Your infographics can be presented as projected images, prints, or videos.
Please consider the implications of where and how you present your work (eg. Why might you want to project an infographic about the University on the side of Lambton Tower, or why might you want to send an infographic about the economy to your former employer?)
Due: November 16 / This project is worth 15% of your final grade.
Your mark for this project will be broken down into the following components:
Technical Proficiency: 20
Conceptual Engagement: 40
Critique: 20
Aesthetics: 20
Other notes: Look up Infographics on Google right now. Then, look it up on Good.is.
By Justin on October 1st, 2009, 12:27 pm 0 Comments
Using only YouTube, find a video with 1 minute of interesting material. This video can be of anything—a trailer for a movie, an old TV show, a teenager singing a pop song, etc.
This project will enable you to examine visual appropriation and the realities and implications of an open-source culture on our everyday media consumption.
You will then re-enact / redub 1 minute of that video and record and edit your re-enactment / redub in Final Cut Pro.
Due: October 19
This project is worth 15% of your final grade.
Your mark for this project will be broken down into the following components:
Technical Proficiency: 20
Conceptual Engagement: 40
Critique: 20
Aesthetics: 20
Other notes: You must give this project a title and we will work together to figure out the best way to present the final projects (it could be that we upload the videos to YouTube, embed those videos in a webpage side by side with the original, or burn the videos to a DVD and play them all as a loop, etc.)
By Justin on September 14th, 2009, 11:28 am 0 Comments
Using Adobe Photoshop and/or Adobe Illustrator, you will create 3 digital files for print, manipulated from source photographs that you take or through illustrations and graphics that you create. You can use text, but it should be conceptually motivated.
Your final images should articulate your thoughts on public and private space. Examples of this binary could include space, healthcare, life, education, culture, etc.
Your files must be prepared at 300dpi and you will print your files at the Document Imaging Services on main campus (Chrysler Hall Tower, Lower Level Rooms 1 & 5). Alternatively, you can print these files at a Staples, FedEx, etc. You will also have the option to project these images in a public space.
Due: September 21
This project is worth 15% of your final grade.
Your mark for this project will be broken down into the following components:
Technical Proficiency: 20
Conceptual Engagement: 30
Print Quality: 10
Critique: 20
Aesthetics: 20
Other notes: Please review some of the resources at the following link (http://www.pbs.org/art21/education/public/lesson3.html). The examples at this URL mostly involved discussions surrounding public vs. private spaces and artworks dealing with that intersection, but it may help you in understanding concerns around these ideas.
By stephensurlin on September 9th, 2009, 5:20 pm 3 Comments
Japanese artist Yuri Suzuki creates very inspiring sculpture/installation based audio art. His piece titled Prepared Turntable 2008 is shown below. On Suzuki’s website he describes the work as
“A turntable that focuses on actively composing and playing music.
This record player has 5 tone arms, each of which can have its volume controlled by its own fader.
This is an analogue answer for the digitalized DJ.”
It is within these artists that the idea of music that has a rhythm that is heavily based on cycles and patterns, which can be seen in a quite literal way in the body movements of the musicians in this link Philip Glass that shows a string quartet playing his music, the players sway in circles of varying length based on the rhythmic part they’re playing. The idea of cyclical based music seems to easily transfer to the medium of a turntable playing a record, a rotating disc with grooves of varying length around it. These grooves contain a loop that is the exact length of time that it’s placement on the record allows, since grooves closer to the centre are shorter and ones on the outer edge, longer. Therefore, based on the type of loops put on this custom made record, anyone can compose a rhythmic composition using the various “instruments” that exist within the records surface.
That being said, Yuri Suzuki has another project that works with the cyclical nature of records and their commonality. His piece Sound Chaser 2008 a Technical collaboration with Yaroslav Tencer is,
“A train-style record player. Users connect the chipped pieces of records together to make new tracks. The records pieces are from cheap records bought at jumble sales or used record shops. This record player revives forgotten, old records.“
The potentiality of Glass’s concepts are made manifest with this “train” cars on a track. I wonder if this piece could also be done by providing a large amount of extra track and the track itself could be elongated and adjusted by visitor to the gallery, causing many different length and shaped “tracks”.
Yuri Suzuki is also a DJ, so here are a few of his mixes:
By Justin on September 6th, 2009, 11:49 am 0 Comments
You will be encouraged to make blog posts on the progress of your projects to practice not only writing and self-reflection, but also to help you and your classmates to understand your process.